David B Coe

Dark Eyes

Faith Hunter

Blood Cross

A J Hartley

Act of Will

Misty Massey

Mad Kestrel

C E Murphy

Heart of Stone

Get Out of the Way!

It’s one of those days when RL (real life) is getting in the way ofany kind of writing, even this blog. Between other stuff (which could go in caps, like OTHER STUFF) a co-worker fell at work and I have been pulling the graveyard shift. Ugh-ick. So I thought it might be smart to build [...]

Puzo and Writing

On my refrigerator, stuck to the side with magnets, is a piece of paper, about eight by seven inches, with the upper margin torn and ratty from where I ripped it out of a magazine about 20 years ago. It is crinkled, brittle, stained with drops from some past kitchen mishap. (There have been a [...]

Writing Your Book, part V: Why Bother?

When last we saw our intrepid author, she was wading into the Slog, the great morass of storytelling, character development, and worldbuilding that stretched to the imaginative horizon, keeping her from her ambitions.  Armed only with a keyboard, a thesaurus, and her wits, she strode forth, prepared to face down the horrors which, according to [...]

The Economics of Word Count

The question of appropriate word count for various genres has come up time and again in my recent talks and on my blog, so I thought I’d use it to start off my very first post here at Magical Words. First of all, if you’re J.K. Rowling or George R.R. Martin, you can get away with the kind of books that keep chiropractors in business, the big fat fantasies. If not, here are some things to think [...]

The Battle of the E-Books — Kim Harrison

Today we welcome out special guest, Kim Harrison. Kim has agreed to post here a few times a year, whenever she has something interesting  to offer about the business. Welcome Kim!

The battle of the e-books has spilled onto my desk.

I’m great at staying out of trouble most times.  You may have noticed that I’ve been very [...]

The Evolution of the Novel, Part two

Last week, in part one, I discussed the evolution of voice in the work of one of my protégées, Tiff. With her permission, I told her story and how she found a narrator’s voice and a character’s voice that was uniquely hers. But as her story worked its way out on paper (computer files, I [...]